Movie Review: Shut Up and Play the Hits [7.18.2012]
7:09 PM | Author: madcakeshandy
For one-night only (well, two for Houstonians. River Oaks Theater is showing the film again next Wednesday), dance rock fans across the country were able to get an insider's perspective of the end of an era; an era full of meticulousness, infectiousness, and "pretentiousness" created by James Murphy and company, better know as LCD Soundsystem. Brought to life in 2001, LCD has been bringing originality to the indie music scene and creating throbbing dance floors all over the globe. On April 2, 2011, the band performed it's very last live show to a sold-out, Madison Square Garden audience. High energy matched with equally high emotion, this documentary gets your foot tapping with a possible tear in your eye.

I really didn't know what to expect last night. I've seen so many music documentaries and live concert films (no, not including Katy Perry's. I might be gay but I do have some good taste. Well, until I've had a few drinks). Some focus more on the live performance and sprinkle in short behind-the-scenes bits. Although these serve a purpose, when it comes certain bands, you want to gain more of a sense of depth. Luckily, Shut Up and Play the Hits did just that. Witnessing the vulnerability of Murphy and his bandmates was intoxicating and at the same time, heartfelt. 

The opening scene features Murphy with his adorable French bulldog the morning after the concert. I can't lie, that little pup stole the show a couple times. Shortly after, we are taken back in time, approximately one week prior to April 2nd, with an interview of Murphy by Chuck Klosterman (author Sex, Drugs, and Cocoa Puffs, etc.). Much of the film's narration centers around this interview. Having read a few of Klosterman's books, I was not at all surprised by his questions. At times he seemed nervous as he interviewed Murphy. I'd be nervous too if I basically implied that one of this generation's greats is arrogant and pretentious. The funny thing is, Murphy didn't really deny it. My only complaint is that at times, Klosterman felt the need to interject his opinions and theories while Murphy truly tried to give a heartfelt window into his thoughts. Klosterman is about as arrogant as the come, so it was difficult to take him seriously sometimes. The interview ends with the blunt yet appropriate question for any band going into retirement: "What do you believe is your greatest failure?" The obvious answer: "possibly" retiring the band. We all know that public figures are most often remembered for their one failure or mistake. Murphy knows this and it shows on film. It seemed as if he was having "buyer's remorse". He is obviously proud and content with what he has done for our generation. He stayed true to himself and his craft. His reasons for wanting to end it were very valid. Everyone wants to have a life outside of their art, career, etc., but at the same time, giving up something you (and millions of others) love so dearly solely for personal reasons can make you question those intentions.

As the film progresses, you can almost sense the end is approaching. Many tears are shed by Murphy and his bandmates during the concert and behind-the-scenes. Before you hear the piano chords for "New York I Love You But You're Bringing Me Down" (the final song), Murphy is shown in a storage unit, surrounded by the equipment his band has accumulated over the years. Moments later you find Murphy breaking down, and you can't help but get choked-up by it all. When his manager asks him how he feels the next day, he simple response is, "Strangely normal."

Now let's get to the concert footage: it is fantastic. The sound quality and visuals are impeccable. For those of you who never had the chance to see LCD Soundsystem in concert, you are in for a treat. I'm hoping they release a DVD that solely features the concert. There are so many other songs I wanted to see and hear. Some of the audience footage is thoroughly entertaining and heartbreaking as well. Just wait until the show ends and the house lights come on. You will see what I'm talking about. 

Although its a music documentary, it allows for plenty of personal introspection. My friend and I had a couple beers at Poison Girl afterwards, which turned into an hour long chat about what we want out of life. Shit got real.

If this film is showing again in your city, buy your ticket now. You won't regret it. When the DVD is released, purchase that too. Also, when LCD Soundsystem decides to go on their inevitable reunion tour, make sure you buy tickets for that as well. 
ELECTRO|iˈlektrō|
a style of dance music with a fast beat and synthesized backing track.

Some would say its almost a way of life for me / its a fundamental part of my psyche / I inhale it with more fervor than the polluted Houston air I breathe everyday. That all may be true to an extent, but most importantly, it unconsciously makes me dance the shit out of a dance floor.

Crystal Castles: an often chaotic indie electro duo that music aficionados/hipsters seem to either love or despise. Regardless of your feelings towards them, you gotta give them credit for what they do for a living. CC released their second self-titled album on May 24th of this year, and recently they remixed the track "Not In Love." This time around, the duo made an effort to appease a wider range of music fans. No, this isn't your stereotypical remix, but how can anyone go wrong with Robert Smith? (What hipster doesn't love The Cure? Don't answer. Its a rhetorical question.). Check out the track below. You won't be disappointed.


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I can't lie to you. When I previewed the first single from LCD Soundsystem's latest album release, "Drunk Girls", I was not impressed. I was worried it was a precursor of what was to come. LCD is a first tier band in my mind, but I couldn't get over the novice sound of it all. Luckily, after the album was released to the public, my worries were put to rest. I mean, I still don't like "Drunk Girls", but that is why my iPod has a NEXT button. A little while back, I discovered a well-done remix of "You Wanted a Hit" by Keljet. It has enough continuous drive to move those oxford shoes/high tops/TOMS on the dance floor, but it can also be a track to listen to on the back porch while drinking a microbrew and smoking an American Spirit. Check it out below. Oh, and be sure to check out the latest LCD music video, "Pow Pow".